"The Evening Program" Feature Interview by Jim Svedja with Judith Lang Zaimont.
KUSC-FM - November 3, 2016
KUSC-FM - November 3, 2016
“I asked Judith to be a guest on the program because she’s obviously one of the major American composers of her generation, in addition to being one of the most charming and eloquent -- something I’ve learned over the years from several mutual friends, and something our recent interview confirmed (and then some!). Her music is not only accessible in the best possible sense, but is also colorful, haunting, and exhilarating. It always has important things to say (beyond the expert manipulation of the notes themselves). In short, it’s some of the most important and entertaining music being written anywhere today."
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David DeBoor Canfield. Musical Hydrology or Hydrological Music? An Interview with Judith Lang Zaimont.
Fanfare, May-June 2016
Fanfare, May-June 2016
The indefatigable Judith Lang Zaimont has been having her musical works performed and recorded for decades now, and their consistent superior quality is certainly ample justification for this. Her latest CD, containing two major works, provided an opportunity to explore further some of her views on her art and matters related to it. I caught up with her in mid-January of 2016 to probe her on these aspects. Read the complete interview here or at Amazon
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Kimberly Greene. Judith Lang Zaimont: Part II: The Consummate Composer.
IAWM Journal: September-October 2014
IAWM Journal: September-October 2014
Although it is impossible to gauge the extent of a composer’s personality by only listening to her music, by examining her compositional voice and methods, and through extensive examination of the body of her interviews, reviews of her works and other literature and conversations, the measure of her artistic character materializes. Accordingly, Zaimont remains driven by her impassioned and penetrating intellect and creative energy, exacting of herself and her creative associates in the adherence to the highest artistic and performance standards, and fearless of the obstacles or hindrances in the pursuit of the realization of her art. Her music engages and challenges the audience due to the depth of the intellectual and emotional content and to its propensity to forge uncharted aesthetic domains, creating works through new musical languages that generate unprecedented artistic effects. As a consequence, Zaimont has attained the status of an internationally recognized composer.
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Susan Cohn Lackman Judith Lang Zaimont Part I.
IAWM Journal: September-October 2013
IAWM Journal: September-October 2013
Take a brilliant and inquisitive mind, add performing and creative musical talent, then layer it with unquenchable energy and unflagging confidence, and the result is Judith Lang Zaimont.
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Steve Staruch. Composer Interview.
Minnesota Public Radio: February 2011
Minnesota Public Radio: February 2011
Step by Step, Stage by Stage: The Music of Judith Lang Zaimont
Interview by David DeBoor Canfield
Feature interview in FANFARE magazine, September/October 2011 issue
Interview by David DeBoor Canfield
Feature interview in FANFARE magazine, September/October 2011 issue
I have had a most enjoyable time in searching for, and listening to, as many of her works as I could find. I was not able to locate a single work of hers that I would rate any less than “most impressive... She writes fluently in many musical idioms from rags and beguines to works using advanced, complex language. One truly never knows what to expect in a new work from the pen of this composer, other than that it will be a finely-crafted work, brimming with inspired ideas and effects.
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Encyclopedia of Women in Today's World, Volume 1. 2011
edited by Mary Zeiss Stange, Carol K. Oyster, Jane E. Sloan
edited by Mary Zeiss Stange, Carol K. Oyster, Jane E. Sloan
The Sacrifice of Isaac: The Reception of a Biblical Story in Music
Siobhan.Dowling Long University of Wales: Lampeter, 2010
Complete chapter on PARABLE: A Tale of Abram and Isaac
Siobhan.Dowling Long University of Wales: Lampeter, 2010
Complete chapter on PARABLE: A Tale of Abram and Isaac
A Conversation with Judith Lang Zaimont
by Joe Brumbeloe
In "Continuo", journal of AGO local. Read it here.
by Joe Brumbeloe
In "Continuo", journal of AGO local. Read it here.
The Arts are Alive and Living in Maricopa (profile of six resident artists)
Spring 2010 issue of InMaricopa.com magazine , pps 40-48
The article is available here in pdf format.
Spring 2010 issue of InMaricopa.com magazine , pps 40-48
The article is available here in pdf format.
Classic Spotlight: Interview with the Composer
by Randy Anderson of Texas Public Radio
Broadcast September 14, 2006 Listen
by Randy Anderson of Texas Public Radio
Broadcast September 14, 2006 Listen
The World is Music: Feature Article on Judith Lane Zaimont
July/August 2007 issue of 85239.com
The article is available here in pdf format.
July/August 2007 issue of 85239.com
The article is available here in pdf format.
On the Mic: Interview with the Judith Lang Zaimont
Jabex Press interviews Judith Lang Zaimont, hosted by Quin Matthews. It is made available as a podcast.
The podcast is available here
Jabex Press interviews Judith Lang Zaimont, hosted by Quin Matthews. It is made available as a podcast.
The podcast is available here
Judith Lang Zaimont 1.5-hour podcast : Noizepunk and Das Krooner, hosts
Composer interview, includes performances of Growler, Elegy for Strings, Wizards, 'Bubble-Up’ Rag - provocative dialogue, and lots of laughing. Initial broadcast NYC, April 2007. On the Website and also at Kalvos.org
Composer interview, includes performances of Growler, Elegy for Strings, Wizards, 'Bubble-Up’ Rag - provocative dialogue, and lots of laughing. Initial broadcast NYC, April 2007. On the Website and also at Kalvos.org
A CALENDAR SET : June Introduction to the set of 12 preludes, reprint the score of “June”.
Piano Today, June 2007.
Piano Today, June 2007.
A CALENDAR SET Launch – interview with Judith Lang Zaimont.
Half-hour podcast. Produced by Jabez Press (TX).
Discussion with the winner of the 2005 American Composers Invitational competition about her prize-winning work, upon the occasion of its international publication by Jabez Press. Initial broadcast nationally April 2007. Also available on the Internet.
Half-hour podcast. Produced by Jabez Press (TX).
Discussion with the winner of the 2005 American Composers Invitational competition about her prize-winning work, upon the occasion of its international publication by Jabez Press. Initial broadcast nationally April 2007. Also available on the Internet.
A Woman of Valor November 2005
The Milken Archive interviews composer Judith Lang Zaimont about her life, her family and her music
(read full text here)
The Milken Archive interviews composer Judith Lang Zaimont about her life, her family and her music
(read full text here)
Electronic Dialogues/1"
SEQUENZA/21: The Contemporary Classical Music Weekly. April 2001.
An interview with the composer. (read full text here)
SEQUENZA/21: The Contemporary Classical Music Weekly. April 2001.
An interview with the composer. (read full text here)
Gann, Kyle. "American Composer Profile - Judith Lang Zaimont"
Chamber Music magazine (Chamber Music America), January/February 2004.
Chamber Music magazine (Chamber Music America), January/February 2004.
Kyle Gann's appreciation of Zaimont's music describes her music as "subtle, vigorous ... elegantly professional [and] deeply felt" and the range in her works as "capable of thorny abstraction, but also of light atmosphere and humor." He concludes that "in some ineffable way, they all sound like her, and all very musical." (read full text here)
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Duffie, Bruce. “Interview with Judith Lang Zaimont”
(1-hour broadcast). WNUR (Chicago). September 27, 2004.
(1-hour broadcast). WNUR (Chicago). September 27, 2004.
Anderson, Randy. “Piano music of Judith Lang Zaimont”
(1-hour broadcast). Texas Public Radio (San Antonio). Jan. 2004.
(1-hour broadcast). Texas Public Radio (San Antonio). Jan. 2004.
Rico, Lauren. “Instrumental Women: Comparing Notes”.
Minnesota Public Radio for National Public Radio. March-April 2004.
Two-hour program featuring music by and interviews with Judith Lang Zaimont. (Zaimont’s “The May-fly” also used as title music for the entire three-volume series, broadcast 2002, 2003, 2004.)
Minnesota Public Radio for National Public Radio. March-April 2004.
Two-hour program featuring music by and interviews with Judith Lang Zaimont. (Zaimont’s “The May-fly” also used as title music for the entire three-volume series, broadcast 2002, 2003, 2004.)
Wendt, Stephanie. Interview with the composer.
Clavier (April 2003).
Clavier (April 2003).
The New Grove Dictionary of Music and Musicians. S.v. "Zaimont, Judith Lang".
by A.J. Randall. (London and New York: Macmillan Press, 2001).
by A.J. Randall. (London and New York: Macmillan Press, 2001).
Reffkin, David. "The Ragtime Machine -- Interview with Judith L. Zaimont".
The Mississippi Rag, December 2001
The Mississippi Rag, December 2001
"Zaimont is sensitive and articulate, and her descriptions of the composing process will answer some questions which may lurk in the reader's mind about how a ragtime piece is created, and how this compares with other forms of musical creation. Here you will find a discussion about tempos, for example, always a contentious issue among musicians. I can think of only a few people who would be able to discuss these matters as clearly and intelligibly as Judith Lang Zaimont."
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Kilstofte, Anne. "An Interview with Judith Lang Zaimont: The Dual Process of the Cliburn Competition"
Journal of the International Alliance for Women in Music Vol. 7 No. 3, Fall 2001.
Zaimont’s post-competition observations about her experience as Honored Composer in the American Composers Invitational competition, a new element for 2001 in the Van Cliburn International Competition.
(Read the full interview: Page 1 - Page 2 - Page 3 - Page 4 - Page 5 - Page 6 - Page 7)
Journal of the International Alliance for Women in Music Vol. 7 No. 3, Fall 2001.
Zaimont’s post-competition observations about her experience as Honored Composer in the American Composers Invitational competition, a new element for 2001 in the Van Cliburn International Competition.
(Read the full interview: Page 1 - Page 2 - Page 3 - Page 4 - Page 5 - Page 6 - Page 7)
Cherlin, Michael. "A Quintet of Quintets -- Chamber Music by Judith Lang Zaimont".
The Clarinet, June 2001.
The Clarinet, June 2001.
"Composer Judith Lang Zaimont's contributions to the chamber literature for wind instruments, especially the product of the last 15 years, well exemplify the harmonic richness and attention to elaborate surface structures characteristic of the composer's music in general. With the exception of two early flute solos and a more recent duo and trio favoring the oboe, the clarinet is a central contributor to this repertoire. This article will focus on Zaimont's chamber works, especially the five quintets for mixed ensembles featuring the clarinet.
Zaimont's musical language, while very much her own, can be traced to two wide streams of musical influence. First, there is a strong underlying connection with the French tradition, most especially with those composers who helped to shape the musical world during the first half of our century, Debussy, Ravel, and that sometimes Frenchman, the Russian Stravinsky. Second, she has clearly absorbed a wide range of American idioms, to include the American symphonists from the 1940s and '50s, as well as aspects of Tin Pan Alley and Jazz. Her music routinely makes virtuosic demands of the players, yet, for the most part, these are grounded in traditional musical techniques.... ... The sensitivity to color so characteristic of "...3:4,5..." is a quality we have found in all of Zaimont's compositions. Add this to a sure sense of musical drama wedded to a wonderfully intuitive sense of form, and a high level of instrumental virtuosity always in service of musical ends, and we find the voice of a composer who has thrived on American eclecticism. For the woodwind player, and the clarinetist in particular, here lies a wealth of contemporary music to explore.” |
Dunn, Jeff. "A to Z: Interviews with John Luther Adams and Judith Lang Zaimont".
21st Century Music, January 2000.
21st Century Music, January 2000.
Adams, Clinton. "All-American Appeal".
Piano & Keyboard Magazine, No. 195, November-December 1998.
Feature article pps. 39-43. Description of composer's style, individual works for piano, and discography.
Piano & Keyboard Magazine, No. 195, November-December 1998.
Feature article pps. 39-43. Description of composer's style, individual works for piano, and discography.
"Composers who are excellent pianists themselves instinctively tap into the piano's best resources. The works they create for the keyboard, feel, as well as sound, good. The piano music of Judith Lang Zaimont is a fresh example of this phenomenon. These sure-handed pieces are colorful, expressive, and inviting."
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Zech, John. “The Composer’s Voice -- Judith Lang Zaimont”.
Produced May 1998 by Minnesota Public Radio and subsequently broadcast nationally on National Public Radio.
1-hour program featuring Zaimont’s music and commentary.
Produced May 1998 by Minnesota Public Radio and subsequently broadcast nationally on National Public Radio.
1-hour program featuring Zaimont’s music and commentary.
Reel, James. "A Conversation with Judith Lang Zaimont".
FANFARE Magazine, Vol. 19 No. 5 May/June 1996. 30-35.
FANFARE Magazine, Vol. 19 No. 5 May/June 1996. 30-35.
Atkinson, K. "Composer Profile - Judith Lang Zaimont".
Women of Note Quarterly, Vol. 3 No. 4 November 1995. 1, 3-7.
Women of Note Quarterly, Vol. 3 No. 4 November 1995. 1, 3-7.
Baird, S. L. "The Musical Depiction of Drama in Judith Lang Zaimont's Parable: A Tale of Abram and Isaac".
Choral Journal: April 1994. 19-24.
Choral Journal: April 1994. 19-24.
McNeil, L. "The Vocal Solo Works of Judith Lang Zaimont".
The NATS Journal May/June 1993. 5-10.
The NATS Journal May/June 1993. 5-10.
Jezic, D. P. "Judith Lang Zaimont".
In Women Composers: The Lost Tradition Found, 1988, 1994. (New York, NY: The Feminist Press) (2nd ed: 211-222).
In Women Composers: The Lost Tradition Found, 1988, 1994. (New York, NY: The Feminist Press) (2nd ed: 211-222).
The New Grove Dictionary of American Music. S.v. "Zaimont, Judith Lang".
by E. Wood. (London and New York: Macmillan Press, 1986).
by E. Wood. (London and New York: Macmillan Press, 1986).
LePage, J.W. "Judith Lang Zaimont".
In Women Composers, Conductors and Musicians of the Twentieth Century, vol. 2 Metuchen, NJ: Scarecrow Press, 1983.
Separate chapter on Zaimont.
(Similar volumes detailing the accomplishment of various international women composers by various authors published after this date also include individual chapters on Judith Zaimont.)
In Women Composers, Conductors and Musicians of the Twentieth Century, vol. 2 Metuchen, NJ: Scarecrow Press, 1983.
Separate chapter on Zaimont.
(Similar volumes detailing the accomplishment of various international women composers by various authors published after this date also include individual chapters on Judith Zaimont.)
Books / Articles by Zaimont
MUSICMAKER (JLZ) Ongoing Composer Blog at Sequenza21.com/zaimont 2007 - 2011
Short essays on many music topics, from particular composers and composer career issues, to more general pieces dealing with aspects inflecting the appreciation of new music for today's listeners.
Short essays on many music topics, from particular composers and composer career issues, to more general pieces dealing with aspects inflecting the appreciation of new music for today's listeners.
Zaimont. "Upon First Listening” University-wide Honors Lecture, University of Southern Mississippi November 2, 2010.
Delivered as part of a Featured Composer residency at the “Intégrales” Festival 2010
Delivered as part of a Featured Composer residency at the “Intégrales” Festival 2010
Zaimont. “Embracing New Music”. September 2008 American Music Teacher magazine.
-- Named 2009 Article of the Year by MTNA
Read essay here.
-- Named 2009 Article of the Year by MTNA
Read essay here.
It probes the underlying reasons why recent music forms such a small percentage of the repertoire students wind up performing in concert, using as springboard the observation that “All music was once new music.” Explores the effects of the splintering of the music profession into the separated specialties of performer, scholar and composer during the 20th century, and how this ultimately can condition and limit what works students get to study and perform. Zaimont. “Imaging the Composer Today”. September 2006 / July 2007
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Keynote Address for the 2006 national meeting of The College Music Society ( San Anotnio, TX. ) Reprinted with footnotes in the Journal of the International Alliance for Women in Music, July 2007.
Clear-eyed view of the emotional payoffs, artistic decisions and fulfillments, and economic perils, that characterize the career of composer in the 21st century.
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Zaimont. “The Matter of Style” . August 2006. NewMusicBox
“To what extent is a style something knowingly applied by a composer?” Article requested by the online magazine of the American Music Center exploring the many decisions a composer faces today in crafting ( or discovering ) her/his own personal artistic ‘voice’. On the Internet.
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Zaimont. “Composer: Living American Woman “ November/ December 2005
Originally the Keynote Address for the National Conference on Women in the Arts, University of Missouri, Saint Louis, MO. ( 11/12/05) Condensed for December 2005 publication by the online magazine of the American Music Center.
Reprinted in Women In The Arts: Eccentric Essays In Music, Visual Arts And Literature
Barbara Harbach, Diane H. Touliatos-Banker, Diane Touliatos-Miles
Cambridge Scholars, Jan 1, 2010 - Art - 203 pages
On the Internet.
Originally the Keynote Address for the National Conference on Women in the Arts, University of Missouri, Saint Louis, MO. ( 11/12/05) Condensed for December 2005 publication by the online magazine of the American Music Center.
Reprinted in Women In The Arts: Eccentric Essays In Music, Visual Arts And Literature
Barbara Harbach, Diane H. Touliatos-Banker, Diane Touliatos-Miles
Cambridge Scholars, Jan 1, 2010 - Art - 203 pages
On the Internet.
Being born a composer affects everything, channeling how we act in the private sphere (as spouse and parent) to all emphases of work as thinker, scholar, and teacher, and our perceptions of and responses to professional and world events.
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Zaimont. “Composer Profile -- Judith Lang Zaimont”. Piano Today. Summer 2004.
Discussing the conception and composing of In My Lunchbox (the 2003 commissioned work for the Music Teachers Association of California). (read full text here)
Discussing the conception and composing of In My Lunchbox (the 2003 commissioned work for the Music Teachers Association of California). (read full text here)
Zaimont. “Straight Talk on New Notes”. Invited Address for College Music Society, national conference special session, Miami 2003. Rationale and framework description for two new new-music initiatives being launched in 2003 by the College Music Society. Earlier version of this talk given as Keynote Address in March 2003 for the Rocky Mountain regional chapter of CMS, and in condensed form as “Bolstering the Music of Our Time”: (read full text here, also excerpt below)
Across the United States, we’ve heard concerns expressed repeatedly and separately - by composers and those performers who regularly program more recent music - about how to approach newer works, particularly as to whether a specific performance will turn out to be an awkward encounter or a stimulating experience. Equally, we encountered dismay at the limited frequency of performance of this repertoire (in aggregate). In today’s era, where newer music is simply called “contemporary,” it is enlightening to remember that Rachmaninoff, Berg, Stravinsky, Poulenc, Prokofiev, Gershwin and Copland were also chronological “contemporaries,” whose individual styles we now readily understand and keep distinct in our thinking and performance approach. Living composers also deserve to be approached and comprehended in the same manner, as the individual voices they are.
What is needed is to provide an avenue of approach to the common goal of bringing these new notes truly to life that simultaneously respects both performers’ and composers’ points of view. Let’s begin from the premise that collaboration between composer and performer needs to take place -- mind-to-mind, sensibility-to-sensibility -- even across stretches of time and place. • No performer would wish to prepare and perform a particular new (or unfamiliar) piece with the mindset of an assigned task: Artists must and should have the freedom to choose their repertoire. • And no composer should belatedly discover that a rendition of one of their works reveals fundamental misunderstanding of the music’s nature: Composers need a means by which to distinguish their individual style and to pinpoint a manner of performance lineage that most readily suits their music. |
Zaimont. "On Being a Composer -- Ruminations on an Undescribable Art" (various versions)
Keynote Speech for March 2002 "Minnesota Classical Music Listening List" (Augsburg College), and October 2002
Keynote Address (Symposium on Women Composers -- Millsaps College, Jackson, MS). Earlier version River Falls, April 1999. Reprinted in condensed form in Sounding Board, the journal of the American Composers Forum, Volume 26 #7, July 1999;
feature essay pps. 1, 6-7, 11. (read full text here)
Keynote Speech for March 2002 "Minnesota Classical Music Listening List" (Augsburg College), and October 2002
Keynote Address (Symposium on Women Composers -- Millsaps College, Jackson, MS). Earlier version River Falls, April 1999. Reprinted in condensed form in Sounding Board, the journal of the American Composers Forum, Volume 26 #7, July 1999;
feature essay pps. 1, 6-7, 11. (read full text here)
Zaimont. “Thematic Aspects”: A Design Strategy for the next CMS Report on the Status of Women in College Music. Invited paper delivered at Fall 2000 International Conference of the College Music Society, Toronto, Canada. (read full text here)
Zaimont. "Modern America and America’s Musical Women: Social, Educational and Cultural Factors". 32 pps. (Invited address delivered at International Music Council - UNESCO, Paris, France: March 1996.)
International symposium on women and musical creativity (read full text here)
International symposium on women and musical creativity (read full text here)
Zaimont. "Composers and Performers: Re-balancing the Alliance". (Sounding Board, November 1995) 1, 8-9.
Requested essay for Minnesota Composers Forum
Requested essay for Minnesota Composers Forum
Zaimont. "Cultivating Excellence". (Phi Beta Kappa Initiation Address, Agnes Scott College (GA), April 1995).
Zaimont. "A '90s Perspective on Creative Musical Women". (Pan Pipes of Sigma Alpha Iota: Winter 1994) 2-4, 18.
Keynote Address for the Biennial Convention of Sigma Alpha Iota (music fraternity), delivered in Cincinnati - August 1993; also re-printed in Fall 1994 Newsletter of Women in Music - American Federation of Musicians newsletter. In revised form, delivered as an address before Minneapolis chapter of American Association of University Women (AAUW) - March 1995.
Keynote Address for the Biennial Convention of Sigma Alpha Iota (music fraternity), delivered in Cincinnati - August 1993; also re-printed in Fall 1994 Newsletter of Women in Music - American Federation of Musicians newsletter. In revised form, delivered as an address before Minneapolis chapter of American Association of University Women (AAUW) - March 1995.
Zaimont and M. B. Hinely. "The Awakening: Creative Contributions to American Music by Southern Women, 1860-1960". In A New Perspective - Southern Women's Cultural History from the Civil War to Civil Rights (P.C. Little and R. C. Vaughan, eds.) (Viriginia Foundation for the Humanities: 1989), 65-76.
Originally an invited paper delivered at the National Museum of Women in the Arts, Fall 1988
Originally an invited paper delivered at the National Museum of Women in the Arts, Fall 1988
Zaimont, creator and ed. in chief; co-eds. Gottlieb et. al. THE MUSICAL WOMAN: An International Perspective. (Westport, CT: Greenwood Press). 3 vols: I (1984), 406 pps; II (1987), 557 pps; III (1991), 816 pps.
As Creator and Editor-in-Chief of The Musical Woman, Zaimont designed this critically acclaimed series to be a unique publication devoted to continuing comprehensive coverage of women's contributions to music world-wide. The series received the Pauline Alderman First Prize (1993) from IAWM, and a National Endowment for the Humanities (1989).
As Creator and Editor-in-Chief of The Musical Woman, Zaimont designed this critically acclaimed series to be a unique publication devoted to continuing comprehensive coverage of women's contributions to music world-wide. The series received the Pauline Alderman First Prize (1993) from IAWM, and a National Endowment for the Humanities (1989).
"Highly recommended...serious, lively work" - Library Journal
"The most comprehensive and substantial compendium[s] on the subject of women in music. A must read." - Fontes Artis Musicae
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"Its overall quality is impressive, and its significance for both women's studies and American music is indisputable."
-American Music "Informative, and well-nigh all-inclusive." - Musical America
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Zaimont and Famera, compilers and eds. Contemporary Concert Music by Women: A Directory of the Composers and Their Works. (Westport, CT: Greenwood Press) 1981. 355 pps.
A project for the International League of Women Composers.
A project for the International League of Women Composers.
Zaimont. "Twentieth-Century Music for the Developing Pianist: A Graded and Annotated List". In Teaching Piano (D. Agay, ed.) (New York: Yorktown Music Press, 1981) Vol. II: 389-436.
A project for the International League of Women Composers
A project for the International League of Women Composers
Zaimont. "Twentieth-Century Music: An Analysis and Appreciation". In Teaching Piano
(D. Agay, ed.) (New York: Yorktown Music Press, 1981) Vol. II: 489-548.
(D. Agay, ed.) (New York: Yorktown Music Press, 1981) Vol. II: 489-548.
Doctoral Papers on Zaimont Works (selected)
Zaimont’s Piano Music: Impronta Digitale and Jupiter’s Moons.
- Jonathan Tauscheck (University of Iowa, in progress)
- Jonathan Tauscheck (University of Iowa, in progress)
Influence versus innovation: A study on the influence of selected composers on "Jupiter’s Moons" and "WIZARDS: Three Magic Masters" by Judith Lang Zaimont.
– J. M. Pierce (Arizona State University, 2010)
– J. M. Pierce (Arizona State University, 2010)
Amy Beach and Judith Lang Zaimont: A Comparative Study of Their Lives and Songs.
- Sharon Llewellyn (Arizona State University, 2008) - 912 pages
- Sharon Llewellyn (Arizona State University, 2008) - 912 pages
Zaimont’s approach to the Piano – music for differing technical levels: Jupiter’s Moons and In My Lunchbox.
- Rebecca Pennington (University of Kansas, 2009)
- Rebecca Pennington (University of Kansas, 2009)
“The Compositional Style of Judith Lang Zaimont as found in Nattens Monolog (Night Soliloquy), scena for Soprano and Piano with text by Dag Hammarskjold”
- Joo Wun Jun (Louisiana State University, 2005)
Online:: http://etd.lsu.edu/docs/available/etd-05212005-102450/
- Joo Wun Jun (Louisiana State University, 2005)
Online:: http://etd.lsu.edu/docs/available/etd-05212005-102450/
“The Role of the Piano in Selected Chamber Works of Judith Lang Zaimont”
- Jennifer Muñiz (Manhattan School of Music, 2004)
- Jennifer Muñiz (Manhattan School of Music, 2004)
The Months of the Year Portrayed in Piano Works by Fanny Hensel, Charles-Valentin Alkan,
Peter Tchaikovsky, and Judith Lang Zaimont
- Katharine Boyes (UMI Dissertation Services, 2003)- 464 pages
Peter Tchaikovsky, and Judith Lang Zaimont
- Katharine Boyes (UMI Dissertation Services, 2003)- 464 pages
A Comparative Study of the Text Settings in Chansons nobles et sentimentales
by Judith Lang Zaimont with Settings by Other Composers
- Cheryl Wilgar Coker (University of Minnesota, 2001)
by Judith Lang Zaimont with Settings by Other Composers
- Cheryl Wilgar Coker (University of Minnesota, 2001)
A Comparative Stylistic Analysis os Selected Solo Vocal Works by Twentieth Century American Women Composers Barbara Kolb, Ruth Lmon and Judith Lang Zaimont
- Carol Ann O'Connor (University of Connecticut, 1996) - 302 pages
- Carol Ann O'Connor (University of Connecticut, 1996) - 302 pages
The Choral Music of Judith Lang Zaimont
- Sara Lynn Baird (Florida State University, 1991) - 213
- Sara Lynn Baird (Florida State University, 1991) - 213
The Vocal Solo Works of Judith Lang Zaimont: An Annotated List ...
- Linda Susan McNeil (Arizona State University, 1988)
- Linda Susan McNeil (Arizona State University, 1988)